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Apr 1, 2018

Terry Albright - Sightings, Light Beings, UFOs, Bigfoot and Secret Clearance ... collecting dots

"Once an algorithm knows you better than you know yourself, institutions such as democratic elections and free markets become obsolete, and authority shifts from humans to algorithms. Instead of fearing assassin robots that try to terminate us, we should be concerned about hordes of bots who know how to press our emotional buttons better than our mother, and use this uncanny ability to try to sell us something. It might be apocalypse by shopping." -  Explore Max Tegmark - AI and Us, Life 3.0 Review, The Guardian

Next Gen Human - we won't might not recognize us. Yuval Noah Harari - The Guardian, Homo Deus: A Brief History of Tomorrow, Review, The Guardian

Wendy's Coffeehouse Interview 4/1 with Terry Albright

Oddsnends -
  • Vindicated by a previous release of CIA docs, regarding JFK Files, Uri Geller says he has info that could create controversy. Hasn't spoken yet. Metro.UK, Daily Mail
  • About the Documents still in review, Gov.Archives press release (2017) lists April 26th, 2018 as a potential date for release of additional documents.
  • Gift a Meteor shower on Demand. Set a few thousand aside. Buzzfeed
  • About the Mermaid I mentioned during the show making 45 thou a year - she might ask for a raise. According to Simply Hired, the rate for a professional Mermaid is 63 thousand. Cha-ching!
  • FAA released the audio from the pilots who saw the Arizona UFO. Sighting reported by pilots on two different airplanes. TIME.
  • UFO time capsule from March 27, 2000. Paraphrasing - Woman saw a UFO that doused her in a beam of pink light and showed her pictures of Earth catastrophe. She heard about another sighting in the same area a few days later. Someone reported a Chupacabra. She believes the two are related. Story from Nick Redfern's 365 Days of UFOs.

Capturing the Light, Dorothy Izatt and her experiences with Light Beings. Film trailer 1 -


Trailer 2.


My guest is Terry Albright - The highlights. We cover multiple topics. He drops a few names with his stories about being a courier who required Secret clearance: Skunk Works, J. Allen Hynek and Stanton Friedman.

The search for Bigfoot continues. Been at it for awhile. Here's an LATimes article from 1991. Current stories include mentions of paranormal anomalies. Is this a sighting? Metro

Delphos, Ks UFO. Terry says he collected dirt samples from the site.

We didn't get into his film memories. However, here's one that stands out from bio info: 'Roar', billed as 'the most dangerous movie ever made'...Link Underscoring that statement in the film review? The extensive injury list. Trailer. No animals were hurt during the production. 70 humans involved in the film were injured. Some requiring stitches and plastic surgery. Point made.
Terry sent several orb pics. This is one he often sees.

About Dorothy Izatt, Contact With Beings of Light. She used an ordinary 8 mm movie camera and filmed hundreds of sequences of unexplained, yet authenticated, pictures of UFO's, ETs, and anomalies. There is another case similar to Dorothy's. Stella Lansing also had the ability to capture unusual phenomena with an 8 mm camera. Ghost Theory. And Video/YouTube

Terry says he is currently working with producer of “Aliens on the Moon” on a new and as yet untitled UFO documentary.

Terry and I scheduled a second interview to continue the dialogue and explore more of the contact element. Terry says frequency is a key element in trying to connect with ET. We'll have him explain more about what that means and what one can expect.

Connect with Terry on Facebook. Violet Fire Research Group, headed by Peter Guttilla and Terry Albright who share over 40 years of Cryptid, UFO, and paranormal research.


Thank you for listening!
Stay Curious. 

2 comments:

  1. Hi Wendy, Thank you so much for posting your interview with Terry Albright. I found your blog after watching his documentary, Capturing the Light. Listening to Terry was both interesting and frustrating, just as it was watching the documentary itself. Why for example was the documentary footage so extremely low res? Dorothy's 8 millimeter footage is what it is but why on earth doesn't someone with state of the art video equipment show up to film it, given the fact that this phenomenon has been a regular occurrence since the 70's?? I almost feel like starting a crowd funding project just to buy Dorothy a really nice camera. Anyway, I am a newbie when it comes to UFO's and the paranormal so forgive me if I am stating the obvious here. Thanks again -David

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  2. Hi David! Thanks for the comments. Good questions and not uncommon. The documentary is such a drop in the bucket, according to Terry, of all that Dorothy experienced. Terry has said they have a lot more footage. My guess is they worked with whatever the budget would afford -- late 90's. Dorothy found a medium that she could produce results with and she stuck to it. Peter might have better answers on the Documentary filming but Terry has indicated his health is an issue. This is a fascinating field and some of the people I have discovered with great stories - can't afford or can't wait to get access to the best equipment. They jump in with whatever is at hand - not really expecting to get further than proving it to themselves. I think that was part of the case here. Dorothy's case is incredible. You might like another perspective - the interview with Peter on Coast to Coast. https://www.coasttocoastam.com/guest/guttilla-peter/6177
    - PS - Another fascinating true life account. The Documentary quality is similar. ' Voices in the Forest' - Gary Cook - about the Little People. https://www.secretland.co.nz/

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